
They had trapped themselves, and that is instantly evident from the dismal "Dancing With Mr. All the gamely disorganisation of Exile - and virtually all of its inspiration - had vanished, to be replaced by the first aural manifestation of the Stones as brand, as shareholders' paradise.

That stupid delusion that they needed to make a living took them over, and its effects on their music were pretty immediate. Listening to the record now, it's a wonder that they didn't just call it quits after Exile - since where else was there to go, following a record of that dissoluble quality, but the way out? But there was money involved, and the interests of others. Few other countries would have been willing to let the whole band in. In truth Kingston, Jamaica, was one of the few options open for the Stones at the end of 1972 Nixon's goons were playing tough over giving Jagger and Richards visas for the USA, while back in Britain they would have been hammered for tax. His memories of making the album are not so rosy overall he found it an enjoyable experience but the band hadn't been in the studio for a year, their tight looseness appeared to have shrivelled to a loose looseness, and everyone involved, including producer Jimmy Miller and assistant Andy Johns, was strung out on dope. And, of course, enjoying the local delicacy (Anthony Bourdain has made a particularly persuasive case for its deliciousness) which gave the album its title. He takes a good deal more time to discuss his experiences in Jamaica, whence the Stones decamped to record the album, and his memories are warm and real: the unexpected fusion of influences due to strong radio signals bringing in music from both New Orleans (the rhythm) and Nashville (the song), the devotional trance music of Steer Town, the movable community that was the Covenant, shoot-ups of the cinema screen - he loved it so much he kept, and still keeps, a house there. In his memoir Life, Keith Richards doesn't spend too much time dwelling on Goats Head Soup, apart from explaining that "Angie" was just a name that came to him, and that Anita Pallenberg was about to give birth to their daughter Dandelion, who shortly thereafter had to be renamed Angela. "Sometimes I wanna.but I can't afford you." (Evelyn Waugh, Vile Bodies, chapter eleven)

D./100 Years Ago/Coming Down Again/Doo Doo Doo Doo Doo (Heartbreaker)/Angie/Silver Train/Hide Your Love/Winter/Can You Hear The Music/Star Star
